What does that even mean? Read more of my gobbledygook at Spin (print too).
Although it’s almost cliché at this point to write about how batshit insane L.A. freak-folk/chillwave/lo-fi icon Ariel Pink seems to be, meet the man in person and you’ll discover that it’s nigh on impossible to ignore the signs. Perhaps he’s just nervous; perhaps he likes fucking with journalists (who could blame him?); perhaps he really is bonkers. After spending an afternoon with Pink and his band, Haunted Graffiti, I wound up with more questions than answers.
See for yourself at LA Weekly.
New feature in LA Weekly today, and I do believe it’s the longest yet on Sub Pop’s recent signing, Dum Dum Girls. Some interesting revelations in here. Though the project’s main brain Dee Dee has been previously linked to her old San Diego band, Grand Ole Party, she hasn’t spoken about it until now. Also, it seems this hot, new L.A. band on the rise isn’t from L.A. after all. Gasp!
But none of this should overshadow the fact that Dee Dee made a solid record. I talk to her and legendary Brill Building songwriter Richie Gottehrer about the process, her vision and other exciting things here.
Quick bloggy bits* from around the L.A. underground (and up).
- Madlib Goes to Africa on New Beat Konducta Excursion [MP3s]
- Ariel Pink, Gary War and Velvet Davenport Collaborate [MP3s]
- 826LA and the Pity Party Look Out for the Kiddies [MP3]
(all stories via West Coast Sound, via LA Weekly)
*If you like it, then you better put a tweet on it.