21 Craft Beers Expertly Paired With Rock Albums

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READ IT AT DIFFUSER

A brief list of things I collect: 1) Music. 2) Beer. So when Diffuser asked me to pair 21 brews of my choosing with their alt/indie/rock album equivalents, well, the work was already done. This was a labor o— hiccup! Er, sorry. What was I saying? Oh yeah: pop cap, hit play, cheers.

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Coachella 2015: Bands, Drugs, Breakfasts, Thongs

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READ IT AT SPIN

Photog Wilson Lee and I hit Coachella 2015 for SPIN, and all we got were three manic daily diaries about Steely Dan melodics solos, run-ins with Rihanna, and heaping piles of hash browns. Plus, a bunch of fantastic photos and some floor drugs. Check it all out:

LA Weekly’s 10 Best L.A. Albums Of The ’00s

Sure to ruffle a few feathers, LA Weekly‘s “10 Best L.A. Albums Of The ’00s” feature hit the web (and newsstands) today and the list is about as eclectic as the city itself. Alongside solid entries by solid homies like Drew Tewksbury and Jeff Weiss, not to mention music ed Randall Roberts, you’ll find two write-ups by yours truly — on Flying Lotus’ Los Angeles, and Rabbit Fur Coat, by Jenny Lewis And The Watson Twins.

Flying Lotus throws up his city.

Jenny Lewis throws up dessert (later).

Thanks, Coachella

I’m sure I’m not alone in admitting that I’m still recovering from three days spent soaking up desert sun and distortion. These things take time, and weaning, which is why I’d like to belatedly introduce my baby, Coachella Digital, Issue 1.

Still those clucking tongues: this is a real (digital) magazine. Goldenvoice knows better than to launch a publication that feels like a playbill, and they gave us more editorial freedom than I’ve experienced at some indie outfits.

In short, it’s an online/offline digital publication whose primary goal is to cover the culture of the modern music festival. It’s highly interactive, plenty literate, and features as much fresh talent as it does stories of those who operate behind the scenes.

It’s free for download here. Oh, and I’m the managing editor, which means I touch all the text.

Also, I blogged about the fest for LA Weekly here: